Par SUZUKI SHINICHI. Teach violin with the popular Suzuki Violin School. The Suz...(+)
Par SUZUKI SHINICHI. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book & CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 5 features: * New editing of pieces, including bowings and fingerings * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Text in English, French, German, and Spanish * New Musical Terms * Composers * CD features new recordings by Augustin Hadelich in collaboration with pianist Kuang-Hao Huang, as well as piano accompaniment only tracks for play-along purposes. / Date parution : 2023-11-03/ Recueil / Violon
For more than a century, violinists have played jazz, swing, blues and similar i...(+)
For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.
Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played j...(+)
Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon
Sonata per il Flauto, Violino e Basso. Trio fürs Clavier mit einer Violine oder...(+)
Sonata per il Flauto, Violino e Basso. Trio fürs Clavier mit einer Violine oder Flöte. Deux oeuvres extraites de Musikalisches Vielerley publié par Carl Philipp Emanuel Bach.Edition : Hamburg, M.C. Bock, 1770oeuvres publiées en partition.La sonate peut de jouer, soit avec une flûte, un violon et une basse continue - soit avec une flûte et un clavecin.Le trio peut se jouer soit avec une flûte et un clavecin - soit avec un violon et un clavecin. / Flûte Traversière Et Clavecin, Oeuvres Pour Instruments Divers Ad Libitum Dont La Flûte Traversière, Sonates En Trio Pour Violon Et Instruments Divers, Violon Et Clavecin, Clavecin Et Violon / 28 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
The Bluegrass Violin-El Violin en el Bluegrass. The endlessly energetic duo of O...(+)
The Bluegrass Violin-El Violin en el Bluegrass. The endlessly energetic duo of Oriol Saña and Lluís Gómez have created a charming and informative account of the musical phenomenon we call bluegrass. Originally a quirky supercharged folk music played by about ten people, bluegrass music, with its Mozart-like formality and ferocious rhythmic zest, now describes an extended international family of related string band styles. Master fiddler Oriol and bluegrass banjoist Lluís, both acclaimed educators, present both the wide view and crucial details about this music in a clear, personable manner. Bravo! Includes access to online audio. El dúo formado por Oriol Saña y Lluís Gómez, siempre tan activos, se ha puesto manos a la obra una vez más para producir esta brillante obra, amena a la vez que informativa, sobre el fenómeno musical que llamamos bluegrass. En sus inicios, era un estilo folk muy rebuscado y minoritario, pero esa formalidad digna de Mozart y ese ritmo frenético tan característico han conseguido que actualmente abarque una gran familia de estilos musicales en distintos países. El maestro violinista Oriol y el banjista de bluegrass Lluís, ambos reconocidos profesores, presentan una visión amplia y a la vez detallada sobre esta música, aportando tanto claridad como su punto de vista personal. ¡Bravo! Incluye acceso a audio en línea.
25 Favorite Classical Pieces in Intermediate Level Arrangements. Par . This coll...(+)
25 Favorite Classical Pieces in Intermediate Level Arrangements. Par . This collection features some of the most beloved melodies from classical music in arrangements for violin and piano
designed to be playable by intermediate-level violinists. From Händel to Rossini
these pieces should provide hours of fun music-making. A separate pull-out part for the violin part is included. / Date parution : 2023-06-01/ Recueil / Violon et Piano
This is the Full Score of Philip Glass's wonderful Violin Concerto No.2 'America...(+)
This is the Full Score of Philip Glass's wonderful Violin Concerto No.2 'American Four Seasons' arranged for Violin and Orchestra. The piece was commissioned by Toronto SymphonyOrchestra and London Philharmonic Orchestra among others the world premiere was held in Toronto on December 9th 2009 conducted by Peter Oundjian. At this premiere the violinist was Robert McDuffie for whomthe Concerto was composed. During the summer and autumn of 2009 Glass composed this work after many years of exchanges with McDuffie. His idea of creating a work that would be influenced by and an accompaniment toVivaldi's 'The Four Seasons'. Interestingly Glass has provided no indication in the score of where each season falls making it open for interpretation by the performers or the audience.
Violin 1-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the ...(+)
Violin 1-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
Violin 2-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the ...(+)
Violin 2-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompanim...(+)
George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompaniment. Includes the works Sonata in A Major for violin and continuo HWV361 Op. 1 No. 3 Sonata in F major for violin and continuo HWV370 Op. 1 No. 12 and Sonata in G minor for violin and continuo HWV368 Op. 1 No. 10.
The endlessly energetic duo of Oriol Saña and Lluís Gómez have created a char...(+)
The endlessly energetic duo of Oriol Saña and Lluís Gómez have created a charming and informative account of the musical phenomenon we call bluegrass. Originally a quirky supercharged folk music played by about ten people, bluegrass music, with its Mozart-like formality and ferocious rhythmic zest, now describes an extended international family of related string band styles. Master fiddler Oriol and bluegrass banjoist Lluís, both acclaimed educators, present both the wide view and crucial details about this music in a clear, personable manner. Bravo! Includes access to online audio. El dúo formado por Oriol Saña y Lluís Gómez, siempre tan activos, se ha puesto manos a la obra una vez más para producir esta brillante obra, amena a la vez que informativa, sobre el fenómeno musical que llamamos bluegrass. En sus inicios, era un estilo folk muy rebuscado y minoritario, pero esa formalidad digna de Mozart y ese ritmo frenético tan característico han conseguido que actualmente abarque una gran familia de estilos musicales en distintos países. El maestro violinista Oriol y el banjista de bluegrass Lluís, ambos reconocidos profesores, presentan una visión amplia y a la vez detallada sobre esta música, aportando tanto claridad como su punto de vista personal. ¡Bravo! Incluye acceso a audio en línea. / Niveau : Facile / Recueil / Violon
This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin...(+)
This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin School arranged for three violins. Suzuki Violin Volume 1 serves as the violin 1 part. The pieces can be played with or without piano accompaniment, which expands their performance possibilities. Another advantage is that students at different playing and reading levels can make music together. The score contains a chart that lists the level of difficulty of each piece and each part so that the teacher can easily assign parts. A CD is available containing all of the trio arrangements. All of the parts were purposely kept as simple as possible. A table listing the reading skills required for each piece is found in the back of the violin 2 and violin 3 books.
for Flute Violin and Harpsichord (Piano)-4 Settings for 3 Instruments. By Bohus...(+)
for Flute Violin and Harpsichord (Piano)-4 Settings for 3 Instruments. By Bohuslav Martinu. For Flute Violin Harpsichord/Piano. Flotenmusik. Playing Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import). (BA3327) ISBN M006432813
This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin...(+)
This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin School arranged for three violins. Suzuki Violin Volume 1 serves as the violin 1 part. The pieces can be played with or without piano accompaniment, which expands their performance possibilities. Another advantage is that students at different playing and reading levels can make music together. The score contains a chart that lists the level of difficulty of each piece and each part so that the teacher can easily assign parts. A CD is available containing all of the trio arrangements. All of the parts were purposely kept as simple as possible. A table listing the reading skills required for each piece is found in the back of the violin 2 and violin 3 books.
Cello-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the act...(+)
Cello-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
Set Wind Instruments-Dvorák?s Violin Concerto was composed between 1879 and 188...(+)
Set Wind Instruments-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
Written in the year 1775, Mozart's lively violin concerti manifest the young com...(+)
Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.
Viola-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the act...(+)
Viola-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
One of Haydn's most attractive concertos from the mid seventeenth century the C...(+)
One of Haydn's most attractive concertos from the mid seventeenth century the Concerto For Violin In C has only recently been re-discovered. In this charming concerto the soloist is accompanied by a String Orchestra a scoring which can be easily mastered by amateur ensembles. This Urtext edition is taken from the Henle Complete Edition of the Works of Joseph Haydn.
Cadeaux Music Minus One un chef-d'oeuvre de Bach concerto, qui composait à l'or...(+)
Cadeaux Music Minus One un chef-d'oeuvre de Bach concerto, qui composait à l'origine de ce classique 'triple' concerto pour trois violons, cordes et continuo. Music Minus One sont heureux de l'offrir aussi étroitement que possible à la version originale, pour trois violons. Ils ont également inclus des enregistrements séparés moins de chacun des trois instruments, de sorte que vous pouvez choisir quelle partie vous voulez jouer!Cet apprentissage MMO et édition de performance comporte le violoniste virtuose Mario Hossen jouant le rôle primoviolin, avec Jacklin proies et rosiza Chopeva la fourniture de pièces pour violon deuxième et troisième avec l'Orchestre Les Orpheistes Chambre de Vienne. Comprend une édition performances autorité de la partition pour violon, édité par Mario Hossen et nouvellement gravés et imprimés sur papier ivoire de haute qualité. Le CD contient la performance complète du concerto, suivie d'une seconde version, moins le soliste, ainsi que d'une version plus lente-tempo des accompagnements pour la pratique. / Violon
Sonata in a minor for Violin and Basso continuo. Par NERUDA JOHANNES. Le composi...(+)
Sonata in a minor for Violin and Basso continuo. Par NERUDA JOHANNES. Le compositeur tchèque Johann Baptist Georg Neruda (env. 1711-1776) a augmenté au cours des dernières années, principalement en raison de sa grande concerto pour trompette joué encore plus d'intérêt public. Un violoniste respecté et membre de longue date de la cour orchestre de Dresde, l'accent de son travail de composition, cependant, était dans la gamme de musique de violon. Les riches et techniquement très difficile Sonate pour violon en la mineur a été publié en 1982 dans le cadre de notre édition 'Bohemian Violin Sonatas' (HN 334) pour la première fois en version imprimée et est maintenant présenté dans une édition unique pratique avec une nouvelle préface et une voix anonyme supplémentaire./ Répertoire / Violon
My blue violin draws both musicians and listeners into the world of swing and ja...(+)
My blue violin draws both musicians and listeners into the world of swing and jazz. Fast cheerful pieces alternate with pensive ones. Titles like My Cat and Me or Die Radtour [The Bicycle Ride] make the poetry of small things resound. Like a musical diary, they make us notice the beautiful things in everyday life. The pieces are of easy to intermediate difficulty and suitable for performances as well as music lessons. / Violon Et Piano
Flexi Violin 1 2 Violons, Piano[Partition] Faber Music Limited
Par . Flexi Violin 1 is a refreshingly diverse collection for violin with both p...(+)
Par . Flexi Violin 1 is a refreshingly diverse collection for violin with both piano and violin duet accompaniments from leading educational authors Paul Harris and Jessica O?Leary. Suitable for Initial to Grade 2 (Elementary) level players, it features a wide range of composers and the pieces have both piano and violin duet accompaniments. / Date parution : 2022-09-20/ Recueil / 1-2 Violons et Piano
